Офигенное фри-джазовое трио.
Chant (3Li) by MIMAS
"I'm a 20 years old German-born Italian/Polish musician. My main instrument is the alto saxophone which i studied in the fields of Classical music and Jazz. I also play electric guitar occasionally.
I'm interested in a wide range of musical styles and i don't want to limit myself to one particular genre.
COOL & INTERESTING SOUNDS......that's what i'm looking for and that's what i'm trying to make."
воскресенье, 27 ноября 2011 г.
суббота, 5 ноября 2011 г.
Zaid Jabri (Krakow, Poland) - Love and Mercy ( 2010 ) extract
Love and Mercy for Choir and Large Symphony Orchestra , poem by Bar Hebraeus .
Polish National Radio Symphony Orchestra and Choir
Conductor : Michal Klauza
Love and Mercy ( 2010 ) extract by ZaidJabri
Это тот случай, когда я испытываю что-то вроде радости первооткрывателя. На мой взгляд, это очень хорошая музыка, и я рекомендую послушать и другие композиции автора. Он не боится опираться на традицию, при этом оставаясь абсолютно современным. Меня привлекла удивительная чёткость, цельность и ясность высказывания, когда мне хорошо понятно, что и почему - очень редкое качество в современной музыке.
http://www.zaidjabri.com/
Zaid Jabri was born in Damascus 1975, he began his musical education by studying the violin with R. Sukar in his native town. He completed his M.A. degree with honors from the Music Academy of Cracow where he studied composition with Zbigniew Bujarski. Zaid now is working on his PhD at the same School under the supervision of Professor Krzysztof Penderecki. He won the first prize at the Adam Didur Composers' Competition in Sanok in 1997 for his piece (Two Songs for Soprano and String Orchestra). In 1999 he participated in the International Musikwerkstatt Buckow in Germany. In 2008 Zaid was invited by Istanbul Bilgi University music department as Artist/Composer during The Days of Polish Music. During his musical workshops & activities around the world, Zaid had consultation lessons with Peter-Jan Wagemans, Martin Smolka, Osvaldas Balakauskas, Folke Rabe, Per Norgard, Krzysztof Meyer. Zaid became a member of ZKP ( Polish Composers Union in year 2011 ) , His works have been performed in Poland (Warsaw Autumn , Cracow composer's Days & `festival of Polish Premiers By The Polish National Radio Symphony Orchestra and Choir ), Germany ( Morgenland Festival Osnabrück ),Dubai, Egypt (Opera House), Tunisia, France, Italy, USA ( by Pacific Symphony Orchestra ), Armenia (by Armenian National Symphony Orchestra), Syria (by Syrian National Symphony Orchestra), Slovakia, Ukraine (by Lviv philharmonic during Contrast Festival , Uzhgorod philharmonic & by Kiev Kamerata during The Festival of Modern Music) , Holland (by Nieuw Ensemble), and the United Kingdom ( Plaisteres Hall , Cadogan Hall ) during Al Farabi Concerto (by English Chamber Orchestra).
Polish National Radio Symphony Orchestra and Choir
Conductor : Michal Klauza
Love and Mercy ( 2010 ) extract by ZaidJabri
Это тот случай, когда я испытываю что-то вроде радости первооткрывателя. На мой взгляд, это очень хорошая музыка, и я рекомендую послушать и другие композиции автора. Он не боится опираться на традицию, при этом оставаясь абсолютно современным. Меня привлекла удивительная чёткость, цельность и ясность высказывания, когда мне хорошо понятно, что и почему - очень редкое качество в современной музыке.
http://www.zaidjabri.com/
Zaid Jabri was born in Damascus 1975, he began his musical education by studying the violin with R. Sukar in his native town. He completed his M.A. degree with honors from the Music Academy of Cracow where he studied composition with Zbigniew Bujarski. Zaid now is working on his PhD at the same School under the supervision of Professor Krzysztof Penderecki. He won the first prize at the Adam Didur Composers' Competition in Sanok in 1997 for his piece (Two Songs for Soprano and String Orchestra). In 1999 he participated in the International Musikwerkstatt Buckow in Germany. In 2008 Zaid was invited by Istanbul Bilgi University music department as Artist/Composer during The Days of Polish Music. During his musical workshops & activities around the world, Zaid had consultation lessons with Peter-Jan Wagemans, Martin Smolka, Osvaldas Balakauskas, Folke Rabe, Per Norgard, Krzysztof Meyer. Zaid became a member of ZKP ( Polish Composers Union in year 2011 ) , His works have been performed in Poland (Warsaw Autumn , Cracow composer's Days & `festival of Polish Premiers By The Polish National Radio Symphony Orchestra and Choir ), Germany ( Morgenland Festival Osnabrück ),Dubai, Egypt (Opera House), Tunisia, France, Italy, USA ( by Pacific Symphony Orchestra ), Armenia (by Armenian National Symphony Orchestra), Syria (by Syrian National Symphony Orchestra), Slovakia, Ukraine (by Lviv philharmonic during Contrast Festival , Uzhgorod philharmonic & by Kiev Kamerata during The Festival of Modern Music) , Holland (by Nieuw Ensemble), and the United Kingdom ( Plaisteres Hall , Cadogan Hall ) during Al Farabi Concerto (by English Chamber Orchestra).
пятница, 30 сентября 2011 г.
Franck Bedrossian - Edges (2010) for piano and percussion
Edges (2010) for piano and percussion by Franck Bedrossian
Франк Бедроссян - уже сложившийся композитор, чьи произведения играют по всему миру. Я был очень удивлён, обнаружив музыку такого уровня в свободном доступе.
"After initial studies in orchestration, and analysis at the Regional Conservatory of Paris, Franck Bedrossian studied composition closely with Allain Gaussin. He continued his studies at the Paris Conservatory (seminars with Gerard Grisey and later Marco Stroppa), where upon graduation he received unanimously the first prize for Analysis, and the first prize in Composition. In 2002–2003 he was in the IRCAM 'cursus' for computer music and composition, taught by Philippe Leroux, Brian Ferneyhough, Tristan Murail, and Philippe Manoury. He also studied with Helmut Lachenmann at Centre Acanthes in 1999 and at the Ensemble Modern Academy in 2004.
His works have been played in Europe and recently in the USA by ensembles such as l' Itineraire, 2e2m, Ictus, Court-Circuit, Cairn, Ensemble Modern, Alternance, the Ensemble Intercontemporain, the Orchestre National de Lyon, the San Francisco Contemporary Music Players, the Danel string quartet, the Diotima string quartet. His works have been performed at festivals such as Agora, Resonances, Manca, the RTE Living Music Festival, l’Itinéraire de nuit, Ars Musica, Nuova Consonanza, Le Printemps des Arts de Monte-Carlo,le Festival International d'Art Lyrique d'Aix-en-Provence, Fabbrica Europa, and Wien Modern. In 2001, he received a grant from the Meyer Foundation, and in 2004 won the Hervé-Dugardin prize of Sacem. In 2005 the Institut de France (Académie des Beaux-Arts) awarded him the "Prix Pierre Cardin" for music composition.
Franck Bedrossian has also received the young composer prize from Sacem in 2007. He was a Rome Prize Fellow at the Villa Medicis from April 2006 to April 2008. Since September 2008 he has been Assistant Professor of Composition at the University of California-Berkeley. His works are published by Editions Bilaudot."
Франк Бедроссян - уже сложившийся композитор, чьи произведения играют по всему миру. Я был очень удивлён, обнаружив музыку такого уровня в свободном доступе.
"After initial studies in orchestration, and analysis at the Regional Conservatory of Paris, Franck Bedrossian studied composition closely with Allain Gaussin. He continued his studies at the Paris Conservatory (seminars with Gerard Grisey and later Marco Stroppa), where upon graduation he received unanimously the first prize for Analysis, and the first prize in Composition. In 2002–2003 he was in the IRCAM 'cursus' for computer music and composition, taught by Philippe Leroux, Brian Ferneyhough, Tristan Murail, and Philippe Manoury. He also studied with Helmut Lachenmann at Centre Acanthes in 1999 and at the Ensemble Modern Academy in 2004.
His works have been played in Europe and recently in the USA by ensembles such as l' Itineraire, 2e2m, Ictus, Court-Circuit, Cairn, Ensemble Modern, Alternance, the Ensemble Intercontemporain, the Orchestre National de Lyon, the San Francisco Contemporary Music Players, the Danel string quartet, the Diotima string quartet. His works have been performed at festivals such as Agora, Resonances, Manca, the RTE Living Music Festival, l’Itinéraire de nuit, Ars Musica, Nuova Consonanza, Le Printemps des Arts de Monte-Carlo,le Festival International d'Art Lyrique d'Aix-en-Provence, Fabbrica Europa, and Wien Modern. In 2001, he received a grant from the Meyer Foundation, and in 2004 won the Hervé-Dugardin prize of Sacem. In 2005 the Institut de France (Académie des Beaux-Arts) awarded him the "Prix Pierre Cardin" for music composition.
Franck Bedrossian has also received the young composer prize from Sacem in 2007. He was a Rome Prize Fellow at the Villa Medicis from April 2006 to April 2008. Since September 2008 he has been Assistant Professor of Composition at the University of California-Berkeley. His works are published by Editions Bilaudot."
понедельник, 19 сентября 2011 г.
Gordon Delap - Pathless Desert (2011)
Pathless Desert by Gordon Delap
Интересная электроакустическая композиция Гордона Делапа из Ирландии. Я всегда воспринимаю подобную музыку как приключение, что-то вроде фильма без изображения. Если верить названию о пустыне без пути, то вполне можно представить все соответствующие чувства, миражи и ощущения человека в пустыне, хотя можно и не ориентироваться на название. Большинство такой музыки мне скучно слушать, но не эту - здесь, на мой взгляд, очень качественный и разнообразный материал.
Интересная электроакустическая композиция Гордона Делапа из Ирландии. Я всегда воспринимаю подобную музыку как приключение, что-то вроде фильма без изображения. Если верить названию о пустыне без пути, то вполне можно представить все соответствующие чувства, миражи и ощущения человека в пустыне, хотя можно и не ориентироваться на название. Большинство такой музыки мне скучно слушать, но не эту - здесь, на мой взгляд, очень качественный и разнообразный материал.
четверг, 8 сентября 2011 г.
CaRe Greane - Integration (2011)
Integration (2011) by CaRe Greane
Неожиданно живая авангардная композиция от американского автора, в портфолио которого не замечено больше ничего подобного. Музыка, по-моему, удалась, в неё хочется вслушиваться, и там есть отличные быстрые фактуры в середине.
"Composition II Final, Spring 2011 Semester:
Integration deals with an organic growth of sounds; starting with whisps of air to percussive pops and smacks to finally a climax of bellowing tones and then regressment.
Performers: Sean McLellan - Alto Sax, Ryan Fellhauer - Horn in F, Caleb Rehmet - Bb Trumbet"
Неожиданно живая авангардная композиция от американского автора, в портфолио которого не замечено больше ничего подобного. Музыка, по-моему, удалась, в неё хочется вслушиваться, и там есть отличные быстрые фактуры в середине.
"Composition II Final, Spring 2011 Semester:
Integration deals with an organic growth of sounds; starting with whisps of air to percussive pops and smacks to finally a climax of bellowing tones and then regressment.
Performers: Sean McLellan - Alto Sax, Ryan Fellhauer - Horn in F, Caleb Rehmet - Bb Trumbet"
четверг, 9 июня 2011 г.
Kirsty Devaney - Guitar suite
Guitar Suite I - Elegy by kirstydevaney
Guitar Suite II - Trance by kirstydevaney
Guitar Suite - III Phenomena by kirstydevaney
Гитарная сюита Кирсти Девани, композитора из Бирмингема (Англия), отличается от того, что я обычно выкладываю, большей традиционностью и мелодичностью. В современной классической музыке достаточно редко можно встретить хорошо написанную и записанную медленную гитарную музыку, которой иногда очень не хватает. Неожиданно авангардная третья часть выходит за пределы этой традиционности, что тоже очень хорошо.
"This Suite aims to experiment with different techniques of the guitar, but they are still very much pieces of music on their own.
Each movement focuses on different techniques;
I – Moving positions from sul pont to sul tasto and tremolo
II – Changing time signatures and tone
III – Prepared guitar and freedom of rhythm/pulse
First performed by Ben Mitchell"
"Kirsty Devaney b.1990, is studying composition at Birmingham Conservatoire under Ed Bennett and Howard Skempton and has had masterclasses with Louis andriessen and Jo Kondo. She has been arranging and composing for a number of years and has had commissions for both; including a composition which was performed at the Royal Holloway by Voices Anon in May 2010. Compositions have been performed by renowned performers such as the Chroma Ensemble, Rowland Sutherland, CoMA London and the Thallein Ensemble. She has won a number of competitions including the Conservatoire Orchestral Competition, Erica Becket Recorder Composition and came second place in the Philip Bates Award. Her arrangements have been sold via Sibeliusmusic.com and have been performed across the world.
Her interest in promoting new music and musical education has resulted in her setting up many concerts and events. She has conducted concerts and her own works for both orchestra and windband, and aims to continue developing as a composer-conductor."
Guitar Suite II - Trance by kirstydevaney
Guitar Suite - III Phenomena by kirstydevaney
Гитарная сюита Кирсти Девани, композитора из Бирмингема (Англия), отличается от того, что я обычно выкладываю, большей традиционностью и мелодичностью. В современной классической музыке достаточно редко можно встретить хорошо написанную и записанную медленную гитарную музыку, которой иногда очень не хватает. Неожиданно авангардная третья часть выходит за пределы этой традиционности, что тоже очень хорошо.
"This Suite aims to experiment with different techniques of the guitar, but they are still very much pieces of music on their own.
Each movement focuses on different techniques;
I – Moving positions from sul pont to sul tasto and tremolo
II – Changing time signatures and tone
III – Prepared guitar and freedom of rhythm/pulse
First performed by Ben Mitchell"
"Kirsty Devaney b.1990, is studying composition at Birmingham Conservatoire under Ed Bennett and Howard Skempton and has had masterclasses with Louis andriessen and Jo Kondo. She has been arranging and composing for a number of years and has had commissions for both; including a composition which was performed at the Royal Holloway by Voices Anon in May 2010. Compositions have been performed by renowned performers such as the Chroma Ensemble, Rowland Sutherland, CoMA London and the Thallein Ensemble. She has won a number of competitions including the Conservatoire Orchestral Competition, Erica Becket Recorder Composition and came second place in the Philip Bates Award. Her arrangements have been sold via Sibeliusmusic.com and have been performed across the world.
Her interest in promoting new music and musical education has resulted in her setting up many concerts and events. She has conducted concerts and her own works for both orchestra and windband, and aims to continue developing as a composer-conductor."
воскресенье, 15 мая 2011 г.
Almos Elkana - Trua
Trua by Amos Elkana
"Amos Elkana was born in Boston but grew up in Jerusalem. At the age of 15, he picked up the electric guitar and began to study music which soon became his primary occupation in life. In 1987, aged 20, he returned to Boston to study jazz guitar at the Berklee College of Music and composition at the The New England Conservatory of Music. In 1990, he moved to Paris to study composition with Michele Reverdy. He also took composition classes with Erik Norby in Copenhagen, and with Paul-Heinz Dittrich and Edison Denisov in Berlin. In 2007 Elkana received his MFA in music/sound from Bard College, New York. While at Bard, he focused on electronic music and took lessons with Pauline Oliveros, David Behrman, Richard Teitelbaum, George Lewis, Maryanne Amacher and Larry Polansky among others.
Amos Elkana composes concert music for orchestras, ensembles and individual performers as well as music for dance, theatre and films. His works have been performed and recorded by ensembles and musicians from all over the world, such as the Berlin Symphony Orchestra, the Warsaw Philharmonic Orchestra, the clarinetist Richard Stoltzman, Musica Nova Consort, the Slovak Radio Symphony Orchestra, the pianist Gábor Csalog, the Berlin Saxophone Quartet, Stockholm Saxophone Quartet, the flautist Yossi Arnheim, the New Israeli Woodwind Quintet, the Carmel String Quartet, Ensemble Meitar, the ICSQ (Israel Contemporary String Quartet) and many more."
"Amos Elkana was born in Boston but grew up in Jerusalem. At the age of 15, he picked up the electric guitar and began to study music which soon became his primary occupation in life. In 1987, aged 20, he returned to Boston to study jazz guitar at the Berklee College of Music and composition at the The New England Conservatory of Music. In 1990, he moved to Paris to study composition with Michele Reverdy. He also took composition classes with Erik Norby in Copenhagen, and with Paul-Heinz Dittrich and Edison Denisov in Berlin. In 2007 Elkana received his MFA in music/sound from Bard College, New York. While at Bard, he focused on electronic music and took lessons with Pauline Oliveros, David Behrman, Richard Teitelbaum, George Lewis, Maryanne Amacher and Larry Polansky among others.
Amos Elkana composes concert music for orchestras, ensembles and individual performers as well as music for dance, theatre and films. His works have been performed and recorded by ensembles and musicians from all over the world, such as the Berlin Symphony Orchestra, the Warsaw Philharmonic Orchestra, the clarinetist Richard Stoltzman, Musica Nova Consort, the Slovak Radio Symphony Orchestra, the pianist Gábor Csalog, the Berlin Saxophone Quartet, Stockholm Saxophone Quartet, the flautist Yossi Arnheim, the New Israeli Woodwind Quintet, the Carmel String Quartet, Ensemble Meitar, the ICSQ (Israel Contemporary String Quartet) and many more."
воскресенье, 10 апреля 2011 г.
controllar - trailer park
Немного неформат, разбавляющий суровых академистов, но как же хороши!
It's not our format, not a classical music, but so cool.
trailer park by controllar
"Controllar is an electronic duo gone Pop- gone experimental, then gone pop again. And it is oh so sexy. Years of walking on the tightrope spanning between Billie Holiday and David Bowie caused Controllar to put the puzzle together: from the combination of dramatic song and intricately woven electronic peel, all the way to the raw core of tube distortion and 50 hz saw-tooth synths. And it is OH so sexy."
It's not our format, not a classical music, but so cool.
trailer park by controllar
"Controllar is an electronic duo gone Pop- gone experimental, then gone pop again. And it is oh so sexy. Years of walking on the tightrope spanning between Billie Holiday and David Bowie caused Controllar to put the puzzle together: from the combination of dramatic song and intricately woven electronic peel, all the way to the raw core of tube distortion and 50 hz saw-tooth synths. And it is OH so sexy."
вторник, 29 марта 2011 г.
Marc Yeats - siren song (2006)
siren song (2006) by Marc Yeats
Marc Yeats is a composer and visual artist. His uncompromising music has been performed, commissioned and broadcast around the world. He has worked with many distinguished performers, ensembles and musicians including Psappha, the London Sinfonietta, the Endymion Ensemble, Paragon Ensemble, the Scottish Chamber Orchestra, the BBC Philharmonic Orchestra, Hallé Orchestra, Tokyo City Philharmonic and Gewandhaus Radio Orchestra, among others.
Siren Song
Natalie Raybould, voices: Carla Rees, alto flutes
Dedicated to Natalie Raybould and Carla Rees
For three sopranos, three alto flutes, guitar, percussion and digital sound environment.
'Siren Song' enabled me to indulge my fascination for the siren, the mystical sea spirit, half human female, half sea creature that lures unsuspecting fisherman to their deaths by her seductive song. In this piece, I concentrate on the gentle, mystical aspect of the siren to paint a picture of her watery, ethereal nature, employing sounds that suggested seal cries and whale song as well as other nautical sounds all being part of her alluring aquatic nature. The music is evocative, gentle and hypnotic to the point where the three female voices and three alto flutes act as the one being, calling, enchanting and seducing. 'Siren Song' is assimilated from 'ASCII Dialogues', a piece for soprano and alto flute originally premiered by the artists on this recording.
Marc Yeats is a composer and visual artist. His uncompromising music has been performed, commissioned and broadcast around the world. He has worked with many distinguished performers, ensembles and musicians including Psappha, the London Sinfonietta, the Endymion Ensemble, Paragon Ensemble, the Scottish Chamber Orchestra, the BBC Philharmonic Orchestra, Hallé Orchestra, Tokyo City Philharmonic and Gewandhaus Radio Orchestra, among others.
Siren Song
Natalie Raybould, voices: Carla Rees, alto flutes
Dedicated to Natalie Raybould and Carla Rees
For three sopranos, three alto flutes, guitar, percussion and digital sound environment.
'Siren Song' enabled me to indulge my fascination for the siren, the mystical sea spirit, half human female, half sea creature that lures unsuspecting fisherman to their deaths by her seductive song. In this piece, I concentrate on the gentle, mystical aspect of the siren to paint a picture of her watery, ethereal nature, employing sounds that suggested seal cries and whale song as well as other nautical sounds all being part of her alluring aquatic nature. The music is evocative, gentle and hypnotic to the point where the three female voices and three alto flutes act as the one being, calling, enchanting and seducing. 'Siren Song' is assimilated from 'ASCII Dialogues', a piece for soprano and alto flute originally premiered by the artists on this recording.
среда, 23 марта 2011 г.
Philemon Mukarno - Artrax
Artrax by Philemon Mukarno Composer
"Philemon Mukarno, composer, was born in Jakarta, Indonesia. He studied Audio Engineering, Composition and Composition Electronic Music in Royal Conservatory of The Hague and Codarts - University for the arts in the Netherlands. He finished Cum Laude and received the Prize for Composition.
Mukarno is a unique figure in Contemporary Music. The use of electronics is one of his trademarks. The compositions demonstrate in their own way his original ideas and his strife for intense expressiveness, in a musical language that does not refer to tradition. Each piece has a strong economy of Means and a strict control of Form. Means and Form are use by Mukarno in an elementary and powerful way.
His works are performed on International Music Festivals as: Gamelan Festival in Yogjakarta, Indonesia, El Segundo Festival International de Música Clásica Contemporánea in Lima, Peru, Rotterdam Music Biennial, the Netherlands, Internationale Studienwoche für Zeitgenössische Musik 2000 in Lunenburg, Germany and Internationaal Gamelan Festival Amsterdam (IGFA).
He cooperates frequently with artists from other disciplines such as choreographers, dancers, and performers. As well as music for theatre and motion pictures."
"Philemon Mukarno, composer, was born in Jakarta, Indonesia. He studied Audio Engineering, Composition and Composition Electronic Music in Royal Conservatory of The Hague and Codarts - University for the arts in the Netherlands. He finished Cum Laude and received the Prize for Composition.
Mukarno is a unique figure in Contemporary Music. The use of electronics is one of his trademarks. The compositions demonstrate in their own way his original ideas and his strife for intense expressiveness, in a musical language that does not refer to tradition. Each piece has a strong economy of Means and a strict control of Form. Means and Form are use by Mukarno in an elementary and powerful way.
His works are performed on International Music Festivals as: Gamelan Festival in Yogjakarta, Indonesia, El Segundo Festival International de Música Clásica Contemporánea in Lima, Peru, Rotterdam Music Biennial, the Netherlands, Internationale Studienwoche für Zeitgenössische Musik 2000 in Lunenburg, Germany and Internationaal Gamelan Festival Amsterdam (IGFA).
He cooperates frequently with artists from other disciplines such as choreographers, dancers, and performers. As well as music for theatre and motion pictures."
вторник, 15 марта 2011 г.
John Mallia
http://www.myspace.com/johnmallia
http://homepage.mac.com/jmallia/
http://necmusic.edu/faculty/john-mallia?lid=1&sid=
"John Malia was born in Stanford, CT in 1968. <...> He is currently on the Composition Faculty at the New England Conservatory of Music where he also directs the Electronic Music Studio.
John Mallia's compositions for diverse instrumental, vocal and electronic forces have been performed internationally by artists and organizations including Yo-Yo Ma, Gaudeamus (The Netherlands), International Computer Music Association, Society for Electro-Acoustic Music in the United States, Zeppelin Festival of Sound Art (Barcelona, Spain), Festival Synthese (Bourges, France), Society for New Music (New York), CyberArts (Boston, MA), Medi@terra's Travelling Mikromuseum (Greece, Bulgaria, Germany), and the Boston Microtonal Society.
<...>
His work has been recognized by the Institut de Musique Electroacoustique de Bourges' International Competition of Electro-acoustic Music and Sonic Art (1991, 2000 France), the Luigi Russolo competition (2000 Italy), and the Boston Microtonal Society's Annual Award for the creation of microtonal music. He was co-Director of the Auros Group for New Music (1992-99) and has produced more than seventy concerts of contemporary music in New England. He remains active as a presenter of concerts of electro-acoustic music in the Boston area."
воскресенье, 6 марта 2011 г.
JD Pirtle - Supercollider work
Supercollider work by jd_pirtle
JD Pirtle is an artist working in Chicago, a MFA candidate in New Media Arts at the School of Art and Design at the University of Illinois at Chicago and a graduate research assistant at the Electronic Visualization Laboratory.
JD Pirtle is an artist working in Chicago, a MFA candidate in New Media Arts at the School of Art and Design at the University of Illinois at Chicago and a graduate research assistant at the Electronic Visualization Laboratory.
суббота, 5 марта 2011 г.
Ben Hayoz - Archetypen
Archetypes by Ben Hayoz
Benedikt Hayoz is a conductor and composer specializing in contemporary classical music, as well as in classical music. He graduated from the university of Arts in Zurich and the Royal Academy of Music in London. He worked recently with the ensembles Chroma in London and the ensemble TaG in Winterthur.
A piece about dance and colors in two movements, for clarinet/bass clarinet, violin/viola, piano.
Played by:
Sarah Chardonnens Lehmann (clarinets)
Nancy Benda (violin/viola)
Etienne Murith (piano)
Benedikt Hayoz is a conductor and composer specializing in contemporary classical music, as well as in classical music. He graduated from the university of Arts in Zurich and the Royal Academy of Music in London. He worked recently with the ensembles Chroma in London and the ensemble TaG in Winterthur.
A piece about dance and colors in two movements, for clarinet/bass clarinet, violin/viola, piano.
Played by:
Sarah Chardonnens Lehmann (clarinets)
Nancy Benda (violin/viola)
Etienne Murith (piano)
суббота, 26 февраля 2011 г.
Richard Gray - Emission Lines
Emission Lines by RichardGray
Emission Lines, Three Miniatures for String Quartet
Chimera String Quartet (Lu Yan, Esma Kashif, Peter Keenan, James Whittle)
Emission Lines, Three Miniatures for String Quartet
Chimera String Quartet (Lu Yan, Esma Kashif, Peter Keenan, James Whittle)
четверг, 24 февраля 2011 г.
Castillo Trigueros - Nealíka
Nealíka by Castillo Trigueros
"Nealíka is a piece for four performers in four movements. The title is inspired by the visual folk art of the Huichol community, an indigenous people from Mexico. “Nealíka” is what they name their visual art. This art’s colorful, ornamental, and quasi-symmetrical nature inspired musical analogs in my piece.
The first movement is an energetic exploration of instrumental color where the resonances of the piano and percussion are emphasized and altered by the flute and violoncello. The second movement is in a three-part form; each section is comprised of identical written pitches and rhythms which are played with different articulations that produce immensely dissimilar sonic results. The third movement is the shortest and consists of the alternation between a quick and nervous texture and crystalline sustained tones. The fourth movement takes ornamental elements from the first movement and develops them into something new and final.
The piece was written in 2010 for eight blackbird which is playing in this recording."
"Nealíka is a piece for four performers in four movements. The title is inspired by the visual folk art of the Huichol community, an indigenous people from Mexico. “Nealíka” is what they name their visual art. This art’s colorful, ornamental, and quasi-symmetrical nature inspired musical analogs in my piece.
The first movement is an energetic exploration of instrumental color where the resonances of the piano and percussion are emphasized and altered by the flute and violoncello. The second movement is in a three-part form; each section is comprised of identical written pitches and rhythms which are played with different articulations that produce immensely dissimilar sonic results. The third movement is the shortest and consists of the alternation between a quick and nervous texture and crystalline sustained tones. The fourth movement takes ornamental elements from the first movement and develops them into something new and final.
The piece was written in 2010 for eight blackbird which is playing in this recording."
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